Fake News, Propaganda and Extremist Literature: Some Considerations for Public Libraries with Local History Archives It’s been said that we live in a post-truth society, one in which appeals to emotion and beliefs are more influential in shaping opinions than facts and reason. While skepticism is nothing new, it seems particularly in vogue in the […]
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On May 10–14, 2016, nearly three hundred recorded sound experts, librarians, archivists, preservationists, electronics engineers, collectors, and producers of recordings and electronic equipment; all came together at Indiana University to celebrate the fiftieth annual conference of the Association for Recorded Sound Collections (ARSC).
These are the people—representing the largest collections of sound in US, Canada and several from the countries of Brazil, Germany, England, the Czech Republic, France, Austria, and the Netherlands—preserving history and providing information—whether music or voice found on cylinders, discs, magnetic tape, wire, or film. The sophistication of the methods used and the metadata involved with so many “carriers” in so many formats, with so many issues of different rates of deterioration, boggles the mind. From private recordings to major record labels, conferees were treated to expertise in all areas.