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Jo Hamya on Virginia Woolf, The Worst Bits of Twitter, and The Smell of Library Hand Soap
Jo Hamya’s perceptive and acidic Three Rooms springs from Virginia Woolf’s observation, “A woman must have money and a room of her own,” chronicling the year in the life of an unnamed British scholar as she shuttles among three rooms while attempting to launch her career. From the room in Oxford where she finishes up her academic career, to renting space on a couch while she ekes out a precarious existence as a copywriter at a society magazine, to a room in her childhood home, Hamya charts her protagonist’s attempt at financial independence with wit, compassion, and uncompromising insight. The result is a rich exploration of a character’s inner life as well as a sharp social critique of early twenty-first century Britain. Critics have met Hamya’s debut novel with universal acclaim, with The New York Times Book Review saying it “invokes the reality of living in a world where a reasonable demand is resolutely categorized as unreasonable” and The Boston Globe calling it “an excellent evisceration of contemporary life.” She spoke to us about Woolf’s influence, treating the internet as a physical space, and how poetry helped shape her narrator’s voice.
